Monday, 18 September 2017
Cultural Industries – Hesmondhalgh
Cultural industries follow the normal capitalist pattern of increasing concentration and integration –
cultural production is owned and controlled by a few conglomerates who vertically integrate across a
range of media to reduce risk.
Risk is particularly high in the cultural industries because of the difficulty in predicting success, high
production costs, low reproduction costs and the fact that media products are ‘public goods’ – they are
not destroyed on consumption but can be further reproduced. This means that the cultural industries rely
on ‘big hits’ to cover the costs of failure. Hence industries rely on repetition through use of stars, genres,
franchises, repeatable narratives and so on to sell formats to audiences, then industries and
governments try to impose scarcity, especially through copyright laws.
The internet has created new powerful IT corporations, and has not transformed cultural production in a
liberating and empowering way – digital technology has sped up work, commercialised leisure time, and
increased surveillance by government and companies.
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